PURE BANARSI SILK SAREE, TYPES, WEEDING, ONLINE AMAZON

Pure Banarsi silk saree, weeding types existed during the Mughal period. Their style and have changed since then; they are pointed at the bottom to incorporate neutral colors and small drawings.

When a woman wears a pure banarsi silk saree, she sets the Asian tradition. Clothing brings a code of conduct — the character of the wearer cannot be perfect, his or her magnificent way as a ship at sea.

If wearing a pure banarsi silk saree can have such a definition in it, then the six yards of this seamless fabric has more to show than just covering the body. Empty fabric for designer and weaver, sari lives on unique art hats, gold, silver ornaments, and interesting prints. With so many stories embedded in the — myths, motifs and colors, the fabric and art form, the place of origin, and its significance — the pure banarsi silk saree has continued to emerge over the years. When we talk about the manifestation of the artist’s pursuit of art — a custom piece, not mass production, and therefore not a stock reprint — we reduce our topic to a traditional product like the pure banarsi silk saree here.

Crafts integrate traditional and cultural values. They describe the present-day relationship with idols and shrines, nature, festivals, and daily life. There is a strong sense of continuity with the legacy. Some motifs and patterns of banarasi sari are common on the walls and pillars of the ancient temples of Varanasi. Each region within India has its own unique style, a weaving and design process influenced not only by local, social, and cultural traditions but also by immigrant nations. It was during the Mughal period that the banarasi saris became popular. Islamic scholars and artisans chose Banaras as a city as it was rich in all aspects namely, there were various strategies and procedures that the city was already familiar with at that time.

Production process: weft & warp

The ‘nakak’ process of making brocade fabrics has been replaced by jacquard attachments, although the other process remains almost the same, that is, throw shuttle pit looms and extra weft (thread-matching threads on loom flanking warp threads) a process with a twill weave is performed. The threads have changed from pure gold or silver to the imitation of zari and silk replaced by synthetic yarns. Both traditional and current formats are used.

A modern process algorithm developed by weavers:

• Used silk thread bought from Gujarat and zari from Surat is divided into toes and then split into spoons of some air.

• Part of the thread is wrapped and has many colors according to the designers’ specifications.

• The raw fibers can be soaked in a solution of boiled color for 5 minutes and then dried by twisting one side between two poles. When dyed, it is washed with ordinary water and dried in shades at room temperature.

• Warp is prepared on a wrapping machine and pulled back to the warp beam. Warp weakness is corrected by adjusting loom levers.

• Specialists inspect the fiber between the stretched warp, and each cord is carefully examined. The threads are finally stretched out on a metal rod and wrapped around the handle.

• The silk fibers are then transferred to smaller spools called bobbins with the help of rotating wheels. These bobbins are later attached to fly shuttles while weaving.

• Pure silver zari was added to the sari. It can be tested by heat – if it melts completely and then pure zari or else it will turn into a dough.

• Banarasi saris are famous for their gold and silver zari and are beautifully woven with silk and adorned with intricate designs. Therefore, the next step is to make a pattern.

• Punch cards made of cardboard sheets cut to the required size. The design in saris is woven using punch cards, and these cards are features of jacquard looms.

• Cards are punched according to the motifs to direct the string to the wall.

• Craftsmen load the punch card according to the design before weaving the sari over the head, depending on the complexity of the design the sari can take from church to moon. The weavers use different colors of the weaving according to the design and feature.

• The completion of the sari is called Reja pujna.

Waft & weft:

The word ‘brocade’ is derived from the Latin word brocare (to prick), which means needlework, knitting, or knitting. Also known as’ kinkhab’-kin means gold, khab means dream-a cloth that is rare or rare to be seen in dreams or dreams of gold. It is woven with gold thread everywhere. Traditional brocades are divided into the following three groups – viz zari brocades (kinkhab and baftas / poth-thans), amru brocades (silk patterns, silk, tanchoi), and abirawans (cutwork brocades and tarbana). The gold and silver zari is used to produce a light weft pattern that gives an old touch to the pure banarsi silk saree.

Different types of zari

a) Pure zari: The middle part of the pure zari is made up of silk fibers, from which sericin is removed. The silk thread is twisted with a red or yellow thread, where a small silver wire (lametta) and a sharp wire (badla) are touched. Silver zari strands used in pure zari are heavily incorporated into pure gold solution to produce high-quality gold zari.

b) Tested zari: It is also available in the market as a mimic zari because it has an external quality of real zari and therefore resembles a real zari in terms of glimmer. These varieties of zari are slightly lower than real zari due to the use of copper lametta instead of silver and silver ornaments made of copper wire and producing gold zari, the tested zari is infused with a gold solution.

c) Powder zari: The mechanical process followed to make powder zari is similar to the tested zari; it var

c) Powder zari: The mechanical process followed to make powder zari is similar to the tested zari; differs only when the powdery mildew is performed in a zari imitating instead of electroplating gold.

d) Plastic zari: This is a very low-grade type of zari where a plastic thread is used as lametta instead of copper or silver.

Motifs used

There are umpteen motifs used. The design is a beautiful floral pattern, vegetable texture, carved dots, jal patterns, asherfi motifs, geometrical motifs, small flower (boot), mango motif (kalgha), human figures, bird displays, animals, and a thriving tree, all taken from nature.

Pure Banarsi silk sari is famous for its softness, luster, and luxurious appearance. The sari achieves an excellent look with its rich and intricate weaving and zari.

Various patterns Brocade sari:

The term brocade refers to those fabrics where patterns are made by passing or inserting a needle between patterns of thread or warp. The sari has many features made of gold and silver threads, which are used as an additional weft compared to the silk base. The borders and pallav have scroll designs and the body of the sari can have many attractive patterns for every designer.

Chiffon jamdani:

Unlike other rich varieties of brocade saris, this type has many twisted strands that form a warp sheet. The twisted ends of S and Z are arranged in a way that gives a wavy and crepe look to the fabric. Jamdanis usually have a boot pattern everywhere.

Jangla: These items must have wedding items. These are rich and complex due to the designs of meena jaal and jangla everywhere. The finished motifs are neatly matched on both sides of the fabric due to the swivel weave without floating. Jangla sari requires at least two weavers working together with 14 to 28 shutters at a time.

pure banarsi silk saree

Korah Cutting Work:

In this case, the cutting work is done on clear ground. This gives the jamdani effect as the open cord hanging between the motifs is hand-cut and clean.

Resham buti:

A rich type of banarasi silk sari in which butis woven all over the world line a heavy design with a pleasing pallav.

Satin border sari:

This has a pallav and border on satin weave, the sari remains clear.

Satin embossed sari:

These have floral, lace, and charkhana patterns on all satin weaves.

Tanchoi:

The motifs are woven in satin weave and silk as extra weft and have no Nazar. Its style of jamawar and paisley motifs is very widespread everywhere. These are very difficult.

Tissary sari:

This has a gold-like appearance in the fabric because it is woven with silk-like warp and the zari runs like a weft with a combination of zari and silk in the extra weft. Therefore, these are very popular as wedding dresses.

Previous situation:

Before independence, agriculture was thought to be the only tool for rural development, but with the eighth five-year plan, policymakers saw small-scale production units as a way to improve rural incomes through human resources and impediments to rural-urban migration. Many policies were initiated to promote handicrafts, of which handicrafts became a major part, but the implementation of these programs could not be considered effective at the time for the benefit of artisans. The Uttar Pradesh Weavers Association has now purchased a patent on banarasi saris.

Roadmap:

National Day of Hands celebrations held at Banaras Hindu University in 2019 have been a concerted effort to bring this backbone industry forward. Many memoranda of understanding (MoUs) has been signed by the textile department.

In an effort to make a difference in the lives of weavers, the department has partnered with the National Institute of Open Schooling and Indira Gandhi National Open University to ensure learning opportunities for weavers and their children. Under the professional/professional category, even NIFT offers admission to nominees whose parents work under the development commission (handlooms) or the (manual) development commission of the textile service or national government.

The skills development department has also been identified where weavers will be provided with skills such as computer and English language skills. An MOU has been signed with the Fashion Design Council of India under which leading fashion designers will work with handicrafts and serve as trainers in weaving facilities. A weaver’s help call was set up, where weavers could directly register their problems. To ensure that the benefits go down for every weaver, we will count the people who weave.

To address the financial crisis of the weavers, the launch of the ‘Hathkarga Samvardhan Sahayta Yojana’ has been launched in which weavers will be given 90 percent of the money to repair and replace the threads. E-commerce is a powerful tool for promoting handloom. About 28 knitting centers around the country now serve as craft centers for later handicrafts on commercial sites. These programs, if fully implemented and properly monitored, will encourage textile weavers to continue despite the problem.

Banarasi Metamorphosis

The artistic size of the Banaras fabric is not limited to six magnificent yards alone; its beauty is now displayed in many forms.

Over time, in the making of new materials, bananas are widely used for decoration. The segmentation of banarasi fabric has increased. Banarasi brocade has always enjoyed a special style in wedding dresses but is now used for decoration, bags that offer potli, curtains, building materials, brocade jewelry, highlighter pillow covers, table runners, drapes, ceiling creations, gift wraps us

 Powder zari:

The mechanical process followed to make powder zari is similar to the tested zari; differs only when powdery mildew is made with zari imitating instead of electroplating gold.

 Plastic zari:

This is a very low-grade type of zari in which plastic fibers such as lametta are used instead of copper or silver in pure banarsi slik saree.

Motifs used

There are umpteen motifs used. The design is a beautiful floral pattern in pure banarsi slik saree, vegetable texture, carved dots, Jal patterns, asherfed motifs, geometrical motifs, small flower (boot), mango motif (kalgha), human figures, bird displays, animals, and a growing tree, all taken by nature. Other murals on the walls of Varanasi temples are also found in the Nazarenes.

Banaras silk sari is known for its softness, splendor and luxury. The sari achieves the most beautiful look with its rich and intricate weaving and zari.

Various patterns

Brocade sari:

The term brocade refers to those fabrics when patterns are made by passing or inserting a needle between patterns of thread or warp. The sari has many features made of gold and silver threads, which are used as an additional weft compared to the silk base. The borders and pallav have scrolling designs, and the body of the sari can have many attractive patterns throughout the designer.

Chiffon jamdani:

Unlike other rich varieties of brocade saris, this type has many twisted strands that form a warp sheet. The curved edges of the S and Z are arranged in a way that gives a wavy and crepe look to the fabric. Jamdanis usually have a boot pattern everywhere.

Jangla:

These items must have wedding items in pure banarsi slik saree. These are rich and complex due to the designs of meena jaal and jangla everywhere. The finished motifs are well matched on both sides of the fabric due to the swivel weave without floating. Jangla sari requires at least two weavers working together with 14 to 28 shutters at a time.

Korah Cutting Work:

In this case, the cutting work is done in a clear area. This gives the jamdani effect as the open cord hanging between the motifs is cut by hand and clean.

Resham buti:

A rich type of banarasi silk sari in which butis is woven all over the world with a heavy design with a pleasing pallav in pure banarsi silk saree.

Satin border sari:

This has a pallav and border on satin weave, the sari remains clear.

Embossed sari: These have floral, lace and charkhana patterns on all satin weaves.

Tanchoi:

The motifs are woven in satin weave and silk as extra weft and have no Nazar. Its jamawar style and paisley motifs are very popular everywhere. These are very difficult.

Tissary sari:

This looks like gold in cloth because it is woven with warp-like silk and the zari runs like a weft with a combination of zari and silk in an extra weft. Therefore, these are very popular as wedding dresses.

Previous situation:

Before independence, agriculture was thought to be the only tool for rural development, but with an eight-year five-year plan, policymakers saw small-scale production units as a way to improve rural incomes through human resources and barriers to rural-urban migration. Many policies were initiated to promote handicrafts, of which craftsmanship became a major part, but the implementation of these programs could not be considered a viable option for the benefit of artisans. The Uttar Pradesh Weavers Association has now purchased a patent on banarasi saris.

Roadmap:

The National Handicrafts held at Banaras Hindu University in 2019 has been a concerted effort to bring this backbone industry forward. Many memorandums of understanding (MoUs) have been signed by the textile department.

Under the professional category, even NIFT offers accreditation to nominees whose parents work under the development commission (handlooms) or the (manual) development commission of textile or national government.

The Department of Skills Development has also identified where weavers will be provided with skills such as computer and English language skills. An MOU has been signed with the Fashion Design Council of India under which leading fashion designers will work with handicrafts and trainers in weaving centers. A helpline was set up, where weavers could directly register their problems. To ensure that benefits are reduced for all weavers, we will list the weavers.

To address the financial crisis of the weavers, the launch of ‘Hathkarga Samvardhan Sahayta Yojana’ has been launched in which weavers will be given 90 percent of the money to repair and replace the fibers. E-commerce is a powerful tool for promoting handloom. About 28 knitting centers around the country now serve as state-of-the-art craft centers in the commercial world. These systems, if fully implemented and monitored properly, will encourage textile weavers to continue despite the problem.

Banarasi Metamorphosis

The artistic size of banaras fabric is not limited to six beautiful yards; its beauty is now manifested in many ways.

Over time, in innovation, bananas have been used extensively for decoration. The segmentation of banarasi fabric has increased. Banarasi brocade has always enjoyed a special style in wedding dresses, but is now used for decoration, bags that offer potli, curtains, building materials, brocade jewelry, highlighter pillow covers, table runners, drapes, ceiling creations.

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